Mike Macgirvin
Diary and Other Rantings
   
Wednesday, Oct 08 2008, 02:29 pm
Oct 14, 2007
Axes: Bold as Love
 
Took this composite. Clockwise from left:
 
Martin SPD-16TR
Martin Acoustic Bass
Phoenix VG-180
Gibson Flying V
Minarik Goddess SE
Epiphone EB bass
Schecter Scorpion Elite
Ibanez RocketRoller II
Turser Warlord
Epiphone Biscuit (resophonic)
Epiphone Les Paul (lefty-righty)
Turser ES (lefty-righty) 
! (That's the name, I built this in 1997)
Minarik Inferno Xtreme 
 
Visitors to Sonica (my former music store) might recognize a few of these.  Especially the oil painting of the girl with the violin, which hung in the center of the shoppe for a couple of years.  
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Oct 12, 2007
Juli@ sound card and Vista

If you're looking for a decent mid-range sound card and don't want to spend a fortune, the ESI Juli@ is pretty respectable. I really like the fact that it's about the cheapest card that'll provide balanced line. You do this by flipping the card around. Unbalanced connectors on one side, balanced on the other. It's a pretty neat concept.

Anyway, if you're trying to install one of these suckers on Vista, forget the installation CD. You can just throw it in the trash if you want. Even though the latest driver is for XP/2005, just go to the website and grab the latest. The driver on the install disk is a piece of crap and you'll be wondering why you bought such a sucky card. Can't even get the basic speaker test sounds to come out without about 300% signal distortion, dropouts, odd harmonics, etc. In short, the sound you get is almost totally unrecognizable.

The website driver makes it actually work.

Oh, and to use with Sonar, don't use the WDM channel. Just go with ASIO. 

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Oct 11, 2007
Let There be Noize

The sound studio is just about back in full operation - for the first time in several years.

 

 

I've been doing all the tests and configurations, and only have a few more cables and a bit more PC configuration until it's ready for use. It fell into a state of entropy about 2002 what with combining two households and trying to run a music store. Half the equipment ended up at the store, and I never quite had a dedicated PC to spare since. I've been able to use all the tools for making music in the ensuing years, but the ability to store it conveniently has been lacking.

A lot has happened since the days of Maxwell Silverthorn. My music has evolved considerably, and my life has been through some pretty radical changes.

It's time for a new CD.

Comments:

October 11, 2007 09:14
Gail
Cool! Would it be possible to get one?

mike (Mike Macgirvin)
October 11, 2007 10:11
[*TOP MEMBER*] mike

The technology has improved a bit, so I expect that I can do a little better than one song a month (which is what it took in the past). But we're still talking a bit of time before I've got something worthy of publication.

However, I'll also be able to dribble the work out on my website before an entire set of 10-12 is complete. I'll let you know. 


peonyden (Denis Wilson)
October 11, 2007 11:41
peonyden

Hi Mike,

Do you like to play in public, or with others? We have a little bunch of people who play a bit of rock 'n roll, or some softer stuff, at the CTC on Thursday nights. If you want to check it out, email me (in advance) and I will make sure I will be there. You can come and listen, if you want to "test the waters" first. Some nights are better than others - it depends on who turns up.

 Denis


mike (Mike Macgirvin)
October 12, 2007 09:47
[*TOP MEMBER*] mike

Denis - I've been toying with playing in public again and have been meaning to check out the CTC happening. I just frequently run into other obligations on Thursday night and haven't gotten to it yet.

I found out how much they were paying the musicians at the pub, and how bad most of them are - and said, gee, I could do that. Maybe get a little extra beer money and let the folks listen to something that actually resembles music. Not that they're all bad, but it's really hit and miss.

Seems the trend these days for the pub 'rockers' (and I use the term loosely) is to avoid the hassles of a band and just play guitar and sing to a karaoke CD. I wanna' puke every time I hear yet another person at the  pub doing the obligatory karaoke version of  'Sweet Home Alabama'. They get good money to do it and it's quite a lucrative hustle.

I can certainly do that, but I'm also capable of actually entertaining folks without any backing tracks.

I pretty much avoid the band myself. Been there, done that. Found out years ago that you could buy the equipment reasonably cheap and replace them all. No more drunk drummer, bass player missing practice because he slept with the vocalist and got in a fight with her, etc. As a friend once said, being in a band is like being married to five people (that don't get along).

And the last few years, I've worked on some pretty intricate/complex guitar stuff. Bass, rhythm, melody - all at once. I no longer even need the equipment to keep a beat going and get people dancing. 


October 12, 2007 22:45
Gail

I'll take dribs and drabs until the finished product is available! I've certainly enjoyed the previous work.

Ah yes, the pub scene and karaoke (ew). Could be why I stay away from them now. Hard to find a decent pub in the US anyway. ;-)


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Oct 04, 2007
Aussie Power (Digitech)

This is yet another informational post to save somebody a lot of headaches. It's about trying to convert a Digitech guitar effects board to work on native (220-240V 50hz) power.

In this case the model is a Digitech RP-12, which isn't made anymore, however this applies to most of the large pedal boards that Digitech has made in the last ten years. The actual power supply is a separate component that likewise isn't made anymore. They do offer a replacement (the PSS3), with an adapter (PS4BC) to fit the non-standard DIN power socket on the pedal board. These run about $110 AUD. Yikes. It's really a $20 power supply, and there's plenty of profit selling them for $20. I refuse to pay over a hundred. It's a freaking hobby transformer, fercrysakes.

It turns out there are reasons they charge so much. Nothing else seems to work. The ratings as specified are 9VAC, 2.1A. Simple enough. I can do this - yes? 

Not quite. The commercial 9VAC wall-warts usually stop at 1 amp. A couple of months ago I tried to get around this by purchasing an adequate transformer and building a box for it. After much effort, I finally plugged it in and tried it. HUM and BUZZ. Loud and nasty. Not something you want for studio recording. I scratched my head a while and went back to using the original (110V/60hz mains) unit through a step-down transformer. No hum. So clearly it's not the 50hz that's causing me grief. I brought the original supply into work and put it on an oscilloscope to see what was special about the Digitech branded supply. Couldn't find anything obvious, except that it was a cheap transformer with a lot of inductance artifacts and the waveform was skewed a bit - pointy instead of pure sinusoidal. 

So I took one of my 9VAC 1A wall-warts (that I have several of to power other equipment) and tried it briefly - maybe there was something wrong with my wiring. The 1 amp unit likewise gave me nasty HUM and BUZZ. I didn't leave it plugged in long enough to cook it.

There's no ground and no shielding in the Digitech supply, but I even tried grounding and shielding the lines to reduce the hum - no luck. I tried phase reversing both the primary and secondary (one at a time) in case it was phase sensitive. Nope. There's something obviously different about the Digitech supply.

Hmmm. Back to the drawing board. OK, looks like I just have to use the original 110V supply through a step-down transformer. It's the only thing that makes it work. I gave up on the project and that got me by for the last month or two.

Then last weekend, I turned everything on and the pedal board was dead. Defunct. After some probing it looks like the Digitech transformer just decided it was time to die. Open primary. This gave me an excuse to open the hermetically sealed enclosure to find out what was magic about the Digitech unit. 

Absolutely nothing. It's got a transformer and a fuse. Period. (And the fuse was still good.) OK. So I pulled out my homebrew transformer again. It's only a transformer. What's wrong here? Why is my solution so darned noisy? Why is a generic 9VAC supply so noisy? How do I get rid of the noise?

I tried to order a new 110V supply from the states (to save $50), but nobody will sell me one (even with the huge profit they get). They are forbidden from sending new Digitech products overseas. Even if it's a just a wall-wart that I need to make my old pedal work.  

So getting desperate, I tried a 9VDC supply. The logic boards work and the display lights up, but there's no audio signal at all. So obviously the audio circuitry requires AC. That's weird and I can't imagine what the engineers were smoking when they made that decision, but it doesn't matter - that's just the way it is.  

So I started trying different voltage taps on my homebrew transformer box. I went down to 3V. Nothing worked anymore. Not enough voltage to drive the logic boards. 6V, logic boards work, but the noise is back. 8.5V, noise. 9V, noise. 9.5V, noise. But now it's getting dangerous. Too much voltage can cook something. However, I've got nothing to lose. Right now it's all just an expensive paper weight. The absolute worst that could happen is that I'd be forced to buy a new pedal board, which wouldn't be horrible but the good ones run about $1000 here. Yeah, a new PodXT Live would be ok, as would a GNX4. But maybe, just maybe - my old board just needs a little bit more umph than they claim it does.  

So anyway I cringed (as one normally does when doing something that could end up being a thousand dollar mistake) and tapped into 10.5V. Bingo. Everything works, no noise, no hum. I breathed a sigh of relief. I finally found the issue. They lied. It doesn't take 9VAC, 2.1A. It requires something above 9.5, and probably about 10V for everything to work properly.

So that's the bottom line. If you need a replacement Digitech power unit, ignore the 9V rating. It won't work worth a darn. Get 10.5V (to be sure, since I don't have a variac handy to figure out exactly where it starts working). 

 

Comments:

xiromez (Alex von Muralt)
December 12, 2007 01:07
xiromez

Hi Mike,

Thanks, your rant was most useful. I bought a Digitech VX-400 off e-bay. Long story short, I got a 2400mA 10VAC power suppler from Wagner/WES  in Australia (http://www.wescomponents.com/) for like $20, I didn't even have to change the connector, the supplied one worked perfectly. Sound thru the pedal is crisp and clear.

Technical: 

Prior to all this, I tested the US supply using a variac down to 115V. I looked at the AC supply on an oscilloscope, it was 10VAC, not 9VAC (as you suspected), also almost square wave in shape. With this in mind I bought the WES PSU with confidence. Anyway, the WES supply above worked a treat and the wave shape was expectedly sinusoidal.

I hope other users find this info useful. 

 Alex

p.s. local shop with some Digitech gear claimed that Digitech Aus were unable to supply me with a genuine PSU (to discourage ebayers). So if you tried to get genuine and couldn't, this should sort you without having to modify any of your original equipment.


mike (Mike Macgirvin)
December 12, 2007 09:57
[*TOP MEMBER*] mike

Thanks for the update Alex - judging from the number of people who view this page, a lot of folks have struggled with getting their Digitech gear working here. Sounds like the Wagner supply is a winner. I notice that it's got a 2.5mm pin plug, so those of us with the older DIN (similar to a MIDI cable) power connector will still need to hack up the cable.

If I were doing it over again, I'd open the board up and solder in a standard connector and run it out the back. Those DIN plugs have a way of popping out when somebody steps on 'em - even though they've got a clamp to hold it. If you're playing live and somebody starts dancing in front of you, it's quite easy for this to happen. 

 


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Oct 03, 2007
Something about a flying V

There's something about a Flying V guitar. It's not for everybody. Even fifty years after its introduction, it retains a small following in the heavy metal set, but still is a rarity. That's because the guitar makes a statement. You can't just pick it up, unless you intend to play it with attitude.

I remember watching patrons of my music store getting uncomfortable as they got near one on the rack. In four years, I think a grand total of three people besides myself actually picked one up to play. Everybody else went for something more conventional. Myself? I've got three of the things.

That's all a long-winded way of saying that I kinda' like this picture. 

 

I think it's Grace Potter, 'cause she's one of the few girls (OK, the only one) I've seen that has the cajones to play a flying V in public.

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Documentation:
Instructions translated from Swedish by Japanese for English
speaking persons.