I've got this Minarik Goddess Special Edition guitar that I picked up to sell a few years back, and it never sold. So I kept it. It's really an awesome guitar, but I could never quite figure out why I didn't like it. It's 'meaty' (the best way to describe it). Not a speed demon. Should be great for jazz, rhythm, or chordings like heavy metal or ACDC. Beautiful to look at, exceptional tone quality. But it sounded like shit. I didn't do anything with it until recently because of this, and the fact that it was best left as-is as a collectible to hopefully sell some day. (Serial # 000025).

But finally I figured that it wasn't much good to anybody if it sat in the case year after year. So I put some decent strings on it, changed the neckstrap button to play it backward, and then did a setup (to match the new strings to the scale length). That improved things quite a bit. It no longer sounded horrible. But it was still lacking sustain. Curious because being so meaty you'd think that is where it would shine. The problem was the frets - big meaty badass frets that had been hand shaped. And therein lies the problem. The hand shaping left them a bit rough. It took a few weeks of playing for the strings to 'polish' both the frets and the intricate inlays and smooth them out. Now it sings like a bird. I can add it to the list of 'perfect' guitars that I've acquired over a lifetime of searching. It doesn't matter that it's 'meaty' because that's a quality that makes it suited for particular uses. No guitar is perfect for all uses. They all have their special qualities which makes them best suited for one thing or another.

Looks pretty much like this one,  except hers is left-handed. Mine is right-handed but I play it backward (left-handed). Don't ask. The answer will make your brain hurt. 

Coincidentally, my Phoenix acoustic (which is currently showing in the main macgirvin.com website banner) also has improved recently - although it was already near perfect. This was from a batch of guitars I bought a few years back that were all awesome except they all cracked and split. I've spoken about this previously. This one didn't actually split, but developed two hairline cracks on the backside (that didn't affect the sound or beauty). Anyway, I'm pleased to report that with relocating to a more humid environment,  the hairline cracks completely vanished! It's perfect once again, and as far as I know, the only surviving specimen of this incredible line of guitars.